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Lilia Volkova, Ekaterina Glazer. Everyone out of frame.
Lilia Volkova, Ekaterina Glazer. Everyone out of frame.
Абрикобукс, . Твердая обложка, страниц.
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How can you live when your best friend is forever taken to another continent? After Dimka's departure, Matvey's world seems to fall apart: his parents don't understand him, his older brother constantly trolls him, some classmates mock him, others try to bend him to their will. In despair, Matvey decides to drop out of school. Suddenly, his brother comes to the rescue and gets Matvey a job at a television center. A new, interesting, albeit difficult, life begins—with bustle, the burden of responsibility, new problems, and new acquaintances, not always pleasant. One day, while defending a girl who has become his true friend, Matvey draws the bowstring of a crossbow with all his strength...

Lilia Volkova.
Born in the Kirovograd region of Ukraine, she grew up in Moscow, attending a typical high school in a working-class neighborhood. She graduated from the Faculty of History and Philology at RUDN University (formerly the Patrice Lumumba Peoples' Friendship University). She specializes in philology and teaching Russian as a foreign language.
After university, she worked in a school, and in the late 1990s, she came to work in television. She worked as a correspondent, editor, and editor-in-chief; she wrote scripts for entertainment, news, and political programs, as well as travel programs.
She'd always written and created, long before it became her profession. As a child, she composed poems and fairy tales, and at 12, she wrote a play and staged it with two friends (there were only three characters: a prince, a princess, and Baba Yaga). The play was performed at a kindergarten in the village where the aspiring playwright's grandmother lived, and her fee for the performance was a lunch of pickle soup, mashed potatoes with a cutlet, and compote.
I never seriously dreamed of becoming a writer, but in 2017, my first major work, the novella "Under the Constellation of Stray Dogs," won the All-Russian Kniguru competition for best work for children and young adults. In 2019, my novella "Everyone Get Out of Frame!" was shortlisted for the same competition, and in 2020, my novella "The Chameleon Theater" took third place according to the teen jury.
Writes not only for children and teenagers, but also for adults.
After university, she worked in a school, and in the late 1990s, she came to work in television. She worked as a correspondent, editor, and editor-in-chief; she wrote scripts for entertainment, news, and political programs, as well as travel programs.
She'd always written and created, long before it became her profession. As a child, she composed poems and fairy tales, and at 12, she wrote a play and staged it with two friends (there were only three characters: a prince, a princess, and Baba Yaga). The play was performed at a kindergarten in the village where the aspiring playwright's grandmother lived, and her fee for the performance was a lunch of pickle soup, mashed potatoes with a cutlet, and compote.
I never seriously dreamed of becoming a writer, but in 2017, my first major work, the novella "Under the Constellation of Stray Dogs," won the All-Russian Kniguru competition for best work for children and young adults. In 2019, my novella "Everyone Get Out of Frame!" was shortlisted for the same competition, and in 2020, my novella "The Chameleon Theater" took third place according to the teen jury.
Writes not only for children and teenagers, but also for adults.

Ekaterina Glazer.
The works of artist and graphic designer Ekaterina Glazer are an example of the successful combination of a love of theater and literature with artistic talent.
Ekaterina learned the craft of theater set design at the state art school in her native Kharkiv. She then moved to the city of Lobnya in the Moscow region. She began her creative work as a set designer at the Chamber Stage Municipal Theater and other theaters in the Moscow region.
In 1996, she won the Best Scenography Award at the First Festival of Municipal Theaters of the Moscow Region (for her production of "Russian Salt" at the Gorod Theater in Dolgoprudny, directed by V. Krasovsky, 1996). Three years later, she held her first solo exhibition.
A new chapter began in 2002, when Ekaterina turned to graphic design and also decided to try her hand at book illustration.
Ekaterina's works have been seen by both young readers of literary magazines and a large audience of children's and adult hardcover publications:
"Comprehensive assistance to families with adopted children", Moscow, "Vestkom", 2002
G. Mamontova "Sunny Bunny" (poems for children), Moscow, "Vestkom", 2004
Magazine "Kukumber", Moscow, "Our School", 2010-2012
A series of children's books about the railway, Moscow, Piar-Press, 2009-2010
"A Christmas Story" (collection), Moscow, "Rus-Olympus", 2010
E. Rog, “People-Brands,” Moscow, “Astrel,” 2010
L. Filatov, "About Fedot the Strelets, a Brave Fellow", Moscow, "Astrel", 2011
R. Kipling, "Just So Stories," Moscow, AST, 2015
Yu. Simbirskaya, “Pea Soup,” Moscow, “Abrikobuks,” 2016
"Russian Folk Tales", Moscow, "Abrikobuks", 2018
"Obviously, I'm most inspired by literary themes and images. I chose my first major partly for this reason. On the other hand, my love of textures in illustration probably stems from my previous work as a theater designer."
Ekaterina learned the craft of theater set design at the state art school in her native Kharkiv. She then moved to the city of Lobnya in the Moscow region. She began her creative work as a set designer at the Chamber Stage Municipal Theater and other theaters in the Moscow region.
In 1996, she won the Best Scenography Award at the First Festival of Municipal Theaters of the Moscow Region (for her production of "Russian Salt" at the Gorod Theater in Dolgoprudny, directed by V. Krasovsky, 1996). Three years later, she held her first solo exhibition.
A new chapter began in 2002, when Ekaterina turned to graphic design and also decided to try her hand at book illustration.
Ekaterina's works have been seen by both young readers of literary magazines and a large audience of children's and adult hardcover publications:
"Comprehensive assistance to families with adopted children", Moscow, "Vestkom", 2002
G. Mamontova "Sunny Bunny" (poems for children), Moscow, "Vestkom", 2004
Magazine "Kukumber", Moscow, "Our School", 2010-2012
A series of children's books about the railway, Moscow, Piar-Press, 2009-2010
"A Christmas Story" (collection), Moscow, "Rus-Olympus", 2010
E. Rog, “People-Brands,” Moscow, “Astrel,” 2010
L. Filatov, "About Fedot the Strelets, a Brave Fellow", Moscow, "Astrel", 2011
R. Kipling, "Just So Stories," Moscow, AST, 2015
Yu. Simbirskaya, “Pea Soup,” Moscow, “Abrikobuks,” 2016
"Russian Folk Tales", Moscow, "Abrikobuks", 2018
"Obviously, I'm most inspired by literary themes and images. I chose my first major partly for this reason. On the other hand, my love of textures in illustration probably stems from my previous work as a theater designer."
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